Moira Donegan: 5 Fast Facts You Need to Know

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Moira Donegan

On Wednesday, Moira Donegan came forward as the author of the ‘Shitty Media Men’ list, a spreadsheet that lists men in the industry who are rumored to be guilty of sexual misconduct and predatory behavior.

Donegan outed herself in an article for ‘The Cut’ amid speculation that Harper’s Magazine would publicly name the author of the list. The tweet in which she reveals her identity reads, “In October, I made a google document. My life has been strange and sometimes frightening ever since. I wrote about it for @TheCut.”

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The ‘Shitty Media Men’ list named men, where they worked, and their alleged act of misconduct. In the 12 hours it circulated Internet, it grew to identify more than 70 men.

In her piece for ‘The Cut’, Donegan writes that she initially created the spreadsheet as “a first attempt at solving what has seemed like an intractable problem: how women can protect ourselves from sexual harassment and assault.”

So just who is Moira Donegan? What does she do, and what was her intent behind a list that has amassed so many names? Read on to find out.


1. She Is a Writer for Publications Like ‘The New Yorker’ and ‘Booforum’

Donegan is a writer, and has contributed to outlets like Bookforum, The New Yorker, and n+1.

According to her bio on News Republic, she worked as an Assistant Editor at the New Republic. In July 2017, she penned an article titled, “The Watermelon Woman Shows the Power of Gay History”, an examination of the Cheryl Dunye’s 1996 film The Watermelon Woman, which was made on a budget of just $300,000.

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2. Director Lexi Alexander Claimed She Created the List to Protect Donegan

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Director Lexi Alexander attends the screening of “Punisher: War Zone” at the Mann’s Chinese Theatre on December 1, 2008 in Los Angeles, California.

On Wednesday afternoon, director Lexi Alexander took to Twitter to write, “I’m interrupting my break for one tweet only, so take a screenshot: I created the shitty men in media list. You don’t need to doxx me, just head to my Instagram account, it’s easy to find out where I hang out if you want to say hi.”

According to Deadline, Alexander said she wrote the list (along with a number of other women) to protect Donegan’s true identity.

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Alexander, a Palestinian-German-American film and TV director, has directed episodes of How to Get Away With Murder, Taken, American Gothic, Limitless, and Supergirl.


3. Katie Roiphe Asked Her If She Would Like to Comment on a Story for ‘Harper’s Magazine’ in Early December

Donegan came forward after journalist Katie Roiphe, who works for Harper’s Magazine, threatened to publish a piece that named her as the author of the list.

The article was scheduled for Harper’s March publication. Donegan writes in her article that Roiphe actually emailed her in early December asking if she wanted to comment for a story she was writing on ‘the feminist movement’. At the time, Roiphe did not know Donegan created the spreadsheet.

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She writes, “I declined and heard nothing more from Roiphe or Harper’s until I received an email from a fact checker with questions about Roiphe’s piece.” Donegan says the fact checker wrote, “Were you involved in creating the list? If not, how would you respond to this allegation?”


4. She Says That She Lost Friends Once the List Was Made Public

In her piece, Donegan writes that her life “changed dramatically” after her spreadsheet was released.

“I lost friends: some who thought I had been overzealous, others who thought I had not been zealous enough. I lost my job, too. The fear of being exposed, and of the harassment that will inevitably follow, has dominated my life since. I’ve learned that protecting women is a position that comes with few protections itself.”


5. She Participated in the #MeToo Movement Outside Trump International Hotel in December

In a self-written piece for ‘London Review of Books’, Donegan chronicled her experience rallying outside Trump tower in New York City as part of the #MeToo movement.

She writes, “What’s new with #MeToo is that the intimacy of a consciousness-raising group has been extended to women who don’t know each other, and discussions of sexism have spilled out into the public sphere before audiences of men and women alike. An expression of woundedness and rage has been transformed into a demand for a better world.”

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